SOUNDTRACK SCREENPLAY DOWNLOADS SCREENINGS DVD |
|
|
||||||
Mexico The Critic The Rivera Murals The Casa Azul Jet-lag Festival Screening The Trotsky Museum Exile Profound Mexico Hope Rain on canvas The Jury The Anthropological Museum Time Political Correctness Two Houses False Virtue Life is a miracle Weird Roots The Meeting Turtles Can Fly The Oscars Luis Barragans house Back to Diary Index |
Political Correctness Guillermo and I argue after the Chilean film, ‘Manchuca’, about political correctness. He argues that the film is clichéd, weak, because it is trying to be politically correct. I argue that ‘politically correct’, in the Those defenders of the ‘purity’ of language – who invariably loathe such terms as ‘cameraperson’, for example, instead of ‘cameraman’ – are ignorant of the evolution of the English language itself; which is fluid, absorbing, ever-growing and shifting in the service of precise expressions of consciousness. Language is not fixed, it is a tool; a playful, mutable form, which benefits from change. (In the same way, there are those who loathe the language of SMS texting and e-mails; apparently ungrammatical, encouraging bad spelling and punctuation. I love the little haiku of phone-texts; the mistakes and brevity in e-mails; it seems to be an evolving language of its own, without pedantry or pomposity. It is its own form, with its own rules (or non-rules). At the same time I am a fanatic for correct – or at least conscious - punctuation and grammar when writing prose; it is all about precision and intention, fluency in communication, knowing and respecting the form you are using). back next |
Guillermo Arriaga |
Text © Sally Potter. All pictures © Adventure Pictures unless otherwise indicated |